*less concepts* was recorded between 5/16/2018 - 6/22/2018.
The song titles are (respectfully, if a little tastelessly) stolen from short stories + drawings made by kiddos at the Grand Rapids Art Museum.
The compositional content — rhythms, melodies, harmonies — was all decided in real time by algorithms. This was made possible by Teletype, a small computer-y device that allows a person to code *how* and *when* they want musical events to happen. Among other things, it uses lists to keep track of notes and voltage to communicate with oscillators (the raw voice of a synthesizer).
Teletype is also a platform that’s been heavily developed by the community that uses it (
llllllll.co), through the curation and expansion of its musical code language.
These pieces were created using one of the operators in Teletype’s code: cellular automata. It has been a real, deep joy to explore and I didn’t know much about the science of it before, so I made a free app for you to explore it too. The app and + in-depth explanation of the process can be downloaded at
github.com/dndrks/less_concepts.
released October 28, 2018
The master was wonderfully handled + helmed by Sage Kim at Lacquer Channel Mastering in Toronto, Ontario. I chose Sage based on her excellent treatment of folk material, which manifested nicely in this master -- she unearthed harmonic relationships I had long forgot about and put enough of her fingerprint into the project that I can listen without hearing *myself* in the work.
The artwork is an original piece by Racquel Cable. Her work can be found on Instagram under @suitcasedog
Extra thanks to Jonny Butler, Kyle Chamberlin, Sean Hellfritsch, Michael Hetrick, and Nick Sanborn for their guidance and feedback through the mastering process + documentation build.